Well done, Gents! One meeting down, eleven to go. (A more daunting thought may be one chapter down, seventeen to go ... or 23 pages down, 760 to go.)
I thought discussion went pretty well, but I'd be interested to know what other folks thought. Too much book talk? Not enough book talk?
From what I recall, the following topics/issues were broached:
- Stephen as Telemachus, son of Odysseus
- Mulligan and Haines as two "usurpers," trying to take over Stephen's story and literary/artistic aspirations (Mulligan) and Irish culture and history (Haines)
- Stephen in mourning and guilt-ridden over his mother's death and his refusal to honor her request that he pray for her
- The old milkwoman as a symbol of Irish sterility and emptiness
- Stephen leaving the tower (without the key)
- The blasphemous, irreverent mockery of Roman Catholicism
- Ireland/Stephen as servants of two masters: English (politcal) and Italian (R.C. Church)
I don't recall us discussing the various "bowls" that fuse in the chapter: Mulligan's bowl of lather, the bowl-shaped sea, and the bowl into which Stephen's mother vomited up bile as she was dying. Nor, I think, did we talk about Joyce's emerging use of stream-of-consciousness, or internal monologue; that is, despite what at times is a fairly straightforward narrative and narrative voice, at times the narrative falls into Stephen's own internal voice/language/consciousness. This will continue during the next chapter, and by the third chapter we'll be exclusively in Stephen's head. Finally, while the novel reenacts/revitalizes The Odyssey, it also touches on Hamlet throughout - witness the melancholy, intellectual Stephen, dressed in black and in mourning for a recently deceased parent (just as Hamlet is at the beginning of the play).
If anyone has any further issues/thoughts/questions, by all means, open up discussion on Chapter One below ...